This growing collection of reference materials includes books, journals, articles, manuals, and DVD-ROMs specific to transmission arts, radio, video, performance, sound, media theory, and contemporary art practice.

Special thanks to Lily Gottlieb-McHale and Mara Barenbaum for their assistance in cataloging the research library inventories.

BOOKS/CATALOGUES

  • Albertini, Rosanna, Technological Rituals: Stories from the Annenberg Dialogues, Los Angeles: University of Southern California, 1999.
  • Anderson, Edwin P, Audels Radiomans Guide Covering Theory Construction and Servicing including Television Electronics, New York: Theo.Audel & Co., 1947.
  • Anthology Film Archives, Rural Route Film Festival, New York, 2005.
  • Anthology Film Archives, SeOUL NYmAX 97: A Multi-Media Arts Festival, New York: Anthology Film Archives, 1997.
  • Armstrong, Elizabeth and Joan Rothfuss, In the Spirit of Fluxus, New York: Distributed Art Pub Inc., 1993.
  • Arnheim, Rudolph, Radio, translated by Margaret Ludwig and Herbert Read, London: Faber and Faber, 1936; reprinted as Radio (Salem: Ayer Company Publishing, 1986.)
  • Arnheim, Rudolf, Visual Thinking, Berkley/Los Angeles: University of California Press, 1969.
  • Attali, Jacques. Noise: The Political Economy of Music, Minneapolis/London: The University of Minnesota Press, 1996.
  • Augaitis, Daina and Dan Lander, (Eds.,) Radio Rethink: Art, Sound and Transmission. Banff: Walter Phillips Gallery, 1994.
  • Backus, John, The Acoustical Foundations of Music, New York: W. W. Norton & Company, 1969.
  • Bailey, Derek, Improvisation: Its Nature and Practice in Music, Da Capo Press; Reprint 1992.
  • Barthes, Roland, The Grain of the Voice: Interviews 1962-1980, Berkley/Los Angeles: University of California Press, 1985.
  • Baudrillard, Jean, Forget Foucault, New York: Semiotext(e) Inc, 1987.
  • Baudrillard, Jean, In the Shadow of the Silent Majorities, New York: Semiotext(e) Inc, 1983.
  • Baudrillard, Jean, Simulations, New York: Semiotext(e) Inc, 1983.
  • Baudrillard, Jean, Simulacra and Simulation, reprinted with translation by Sheila Faria Glaser, Ann Arbor: The University of Michigan Press, 1994.
  • Becker, Carol, The Subversive Imagination: Artists, Society, and Social Responsibility, New York: Routledge, 1994.
  • Benton Foundation, Citizen’s Guide to the Public Interest Obligations of Digital Television Broadcasters, Washington DC : The Benton Foundation, 2005.
  • Birringer, Johannes, Media & Performance Along the Border, Baltimore: The Johns Hopkins University Press, 1998.
  • Boettger, Suzaan, Earthworks: Art and the Landscape of the Sixties, Berkley: University of California Press, 2002.
  • Borger, Irene (Ed.) The Force of Curiosity, California: Calarts/Alpert Award in the Arts, 1999.
  • Boyle, Deirdre, Subject to Change: Guerrilla Television Revisited, Oxford: Oxford University Press,1997.
  • Braga, Newton C., Pirate Radio and Video: Experimental Transmitter Projects, Boston: Newnes, 2001.
  • Brand, Stewart, The Media Lab: Inventing the Future at M.I.T., New York: Penguin Books, 1987.
  • Breitwieser, Sabine (Ed.,) Re-play: Anfänge internationaler Medienkunst in Österrreich, Vienna: Generali Foundation, 2000. (In German and English.)
  • Bronson, AA and Peggy Gale (Eds.,) Performance by Artists, Toronto, Art Metropole, 1979.
  • Buchloh, Benjamin H. and Judith F. Rodenbeck, Experiments in the Everyday: Alan Kaprow and Robert Watts- Events, Objects, Documents, New York: Columbia University Press, 1999. (2)
  • Buchmuller, Eva and Anna Koos, Squat Theatre, New York: Artists Space, 1996.
  • Cage, John, Silence: Lectures and Writings by John Cage, Connecticut: Wesleyan University Press, 1961.
  • Cannon, Don L. and Gerald Luecke, Understanding Communication Systems, The Texas Instruments Learning Center, Indianapolis: Howard W. Sams & Co., 1980.
  • Carr, Cynthia, On the Edge: Performance at the End of the Twentieth Century, Hanover: University Press of New England, 1993.
  • Chadabe, Joel, Electric Sound: The Past and Promise of Electronic Music, New Jersey: Prentice Hall, 1997.
  • Chandler, Annmarie and Norie Neumark, At a Distance: Precursors to Art and Activism On the Internet, Cambridge: The MIT Press, 2005.
  • Chion, Michel, Audio Vision: Sound on Screen, Claudia Gorbman (Ed. and Trans.) New York: Columbia University Press, 1994.
  • Coe, Lewis, Wireless Radio: A Brief History, North Carolina: McFarland and Company Inc., 1996.
  • Cope, David, New Directions in Music, Iowa: Wm. C. Brown Communications, Inc. 1971.
  • Cope, Julian, The Krautrock Sampler, Great Britian: Head Heritage, 1996.
  • Cox, Christoph and Daniel Warner (Ed.,) Audio Culture: Readings in Modern Music, New York: Continuum, 2004.
  • Crosby, Harry H. and George R. Bond, The McLuhan Explosion: A Casebook on Marshall McLuhan and Understanding Media, New York: American Book Company,1968.
  • Davis, Douglas, The Five Myths of Television Power or Why the Medium is Not the Message, New York: Simon & Schuster, 1993.
  • Decker-Philllips, Edith, Paik Video, Barrytown, NY: Barrytown Ltd., 1998.
  • Doherty, Claire (Ed.) Contemporary Art: from Studio to Situation, London: Black Dog Publishing, 2004.
  • Douglas. Susan J, Listening In: Radio and the American Imagination. New York: Times Books, 1999.
  • Druckery, Timothy (Ed.). Ars Electronica: Facing the Future: A Survey of Two Decades (Electronic Culture: History, Theory, and Practice), Cambridge: The MIT Press, 1999.
  • Dunifer, Stephen and Ron Sakolsky (Ed.,) Seizing the Airwaves: A Free-radio Handbook, San Francisco: AK Press, 1998.
  • Dyson, George B., Darwin Among the Machines: The Evolution of Global Intelligence, Reading: Perseus Books, 1997.
  • Eaton, Manford L, Bio Music, Berlin: Something Else Press, 1974.
  • Enrile, T.J., A Popular Guide To…Building A Community FM Broadcast Station, Berkley: Free Radio Berkley, 2005.
  • Experimental Media and Performing Arts Center, Wow and Flutter: The San Francisco Tape Music Center 1961-Now, Troy NY: Rensselaer Polytechnic Institute, 2004.
  • Experiments in Art and Technology, 9 Evenings: Theatre and Engineering, October 13 to October 23, 1966, New York: Experiments in Art and Technology, 1966.
  • Experiments in Art and Technology, Some More Beginnings: An Exhibition of Submitted Works Involving Technical Materials and Processes, New York: Experiments in Art and Technology, Nov. 1968.
  • Finkelpearl, Tom, Dialogues in Public Art, Cambridge: MIT Press, 2000.
  • Fischer, Saskia ans Margot Hardenbergh, Media Empowerment: A Guide to Understanding Media Power and Organizing Media Justice in your Community, OC Inc., 1994.
  • Flam, Jack (Ed.) Robert Smithson: The Collected Writings, Berkley: University of California Press, 1996.
  • Fowler, Gene and Bill Crawford, Border Radio, Austin: University of Texas Press, 2002.
  • free103point9, Tune(In))) NY, Long Island City: Center for New Media Arts, 2003.
  • free103point9, Tune(In))) Santa Fe, SFAI, 2004.
  • Furlong, William, Audio Arts: Discourse and Practice in Contemporary Art, London: Academy Editions, 1994.
  • Geers, Doug, Spark: Festival or electronic music and art, Minneapolis: University of Minnesota, 2006.
  • Gerrish, Howard H., Transistor Electronics, Illinois, The Goodheart-Willcox Co., Inc., 1969.
  • Gilbert, Alan. Another Future: Poetry and Art in a Post Modern Twilight, Connecticut: Wesleyan University Press, 2006.
  • Gimarc, George, Post Punk Diary: 1980-1982, New York: St. Martin's Griffin, 1997.
  • Goldberg, Ken (Ed.,) The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet, Cambridge, The MIT Press, 2001.
  • Graf, Rudolf F. and William Sheets, Build Your Own Low-Power Transmitters: Projects for the Electronics Experimenter, Massachusetts: Newnes, 2001.
  • Gregory, Danny and Paul Sahre. Hello World: A Life in Ham Radio, New York: Princeton Architectural Press, 2003.
  • Griffiths, Paul, Modern Music: The Avant Garde Since 1945, New York: George Braziller, 1981.
  • Gwangju Biennale Foundation, Gwangju Biennale 2004: A Grain of Dust, A Drop of Water, Republic of Korea: Gwangju Biennale Foundation, 2004. (2)
  • Gwangju Biennale Foundation, Letters Review 2004, Republic of Korea: Gwangju Biennale Foundation, 2004.
  • Hall, Doug and Ally Jo Fifer (Ed.), Illuminating Video: An Essential Guide to Video Art, New York: Aperture Foundation, 1990.
  • Hanhardt, John (Ed.) Video Culture: A Critical Investigation, Rochester, Visual Studies Workshop Press, 1986.
  • Hanhardt, John G., with essays by Dieter Ronte ... [et al.], Nam June Paik, New York: Whitney Museum of American Art in association with W.W. Norton, 1982.
  • Haring, Kristen, Ham Radio's Technical Culture, Massachusetts: MIT Press, 2007.
  • Hawes, Robert, Radio Art, London: The Green Wood Publishing Company, 1991
  • Herzogenrath, Wulf, Nam June Paik: Fluxus/Video, Germany: Kunsthalle Bremen, 2000.
  • Hilmes, Michele and Jason Lovigio (Ed.), Radio Reader: Essays in the cultural History of Radio, New York: Routledge, 2002.
  • Holtzman, Steven R., Digital Mantras: The Languages of Abstract and Virtual Worlds, Cambridge, The MIT Press, 1994.
  • Ito, Junti, Icarus Phoenix/ Nam June Paik, Japan: Parco, 1985.
  • Jacobson, Karen (Ed.), Seeing Time: Selections From The Pamela And Richard Kramlich Collection Of Media Arts, California: San Francisco Museum Of Modern Art, 1999.
  • James, Robin, Cassette Mythos: The New Music Underground, New York: Autonomedia, 1992.
  • Johnson, Nicholas, How to Talk Back to Your Television Set, Toronto: Atlantic Monthly Press, 1967.
  • Kahn, Douglas and Gregory Whitehead, (Eds.,) Wireless Imagination: Sound, Radio and the Avant-Garde. Cambridge: MIT Press, 1992.
  • Kahn, Douglas, Noise Water Meat: A History of Sound in the Arts, Cambridge, The MIT Press, 1999.
  • Kester, Grant H., Conversation Pieces: Community and Communication in Modern Art, Berkley: University of California Press, 2004.
  • Kluver, Billy, Julie Martin and Barbara Rose, Pavilion: Experiments in Art and Technology, New York: E.P. Dutton and Co., Inc. 1972.
  • Kurjakovic, Daniel and Sebastian Lohse (Ed.) Audio Works By Artists, Zurich: Memory/Cage Editions, 1999.
  • Kwangju Biennale Foundation, Sam Shin Gak, InfoArt: ’95 Kwangju Biennale, Kim Hong-hee and Cynthia Goodman (Eds.) Korea: Kwangju Biennale Foundation, 1995.
  • La Biennale di Venezia, From TV to Video, Bologna, Feb. 25-29, 1984.
  • LaBelle, Branndon, Background Noise: Perspectives on Sound Art, New York: The Continuum International Publishing Group Ltd., 2006.
  • LaBelle, Brandon and Steve Roden, Site of Sound: Of Architecture and the Ear, California: Smart Art Press, 1999.
  • Ladd, Jim, Radio Waves: Life and Revolution on the FM Dial, New York: St. Martin's Press, 1991.
  • Laughton, Roy, TV Graphics, London : Studio Vista 1966.
  • Libera, Zbigniew, Works from 1984-2004, Michigan: The University of Michigan School of Art and Design and Center for Russian and East European Studies, 2005.
  • London, Barbara (Ed.) Video Spaces: Eight Installations, New York: The Museum of Modern Art, 2002.
  • Los Angeles Contemporary Exhibitions, Surveillance: An Exhibition of Video, Photography, Installations, California: Los Angeles Contemporary Exhibitions, Feb. 27- April12, 1987.
  • Lysloff, Rene T. and Leslie C. Gay (Eds.,) Music and Technoculture, Middletown: Wesleyan University Press, 2003.
  • Maedel, George F., Basic Mathematics for Radio, New York: Prentice-Hall Inc, 1948.
  • Manovich, Lev, The Language of New Media, Cambridge, The MIT Press, 2002.
  • Matzer, Florian(Ed.), Nam June Paik: Baroque Laser, Germany: Cantz Verlag, 1995.
  • McKenzie, Jon, Perform or Else: From Discipline to Performance, New York: Routledge, 2001.
  • McLuhan, Marshall and Quentin Fiore, The Medium is the Massage, New York: Touchstone, 1989. Originally published by Bantom Books, 1967.
  • McLuhan, Marshall and Quentin Fiore, The Medium Is the Massage: An Inventory of Effects, New York: Bantam Books, 1967.
  • Toronto: University of Toronto Press, 1962.
  • McLuhan, Marshall, Understanding Media: The Extensions of Man, New York: McGraw-Hill, 1964.
  • McLuhan, Marshall, Understanding Media: The Extensions of Man, Toronto: McGraw-Hill, 1965.
  • McLuhan, Marshall,(essays by Susan Sontag, Dwight MacDonald, Howard Gossage, Tom Wolfe…) McLuhan: Hot and Cool, New York: New American Library, 1967.
  • media_city seoul 2000, Seoul, Korea: media_city seoul 2000 Organizing Committee, 2000.
  • Mediascape, New York: Guggenheim Museum Publications, 1996.
  • Miller, Jonathan, Marshall McLuhan, New York: The Viking Press, 1971.
  • Millman, Jacob and Samuel Seely, McGraw-Hill Electrical and Electronic Engineering Series: Electronics, New York/Toronto/London: McGraw-Hill Book Co., 1951.
  • Milutis, Joe, Ether: The Nothing that Connects Everything, Minneapolis: The University of Minnesota Press, 2006.
  • Minoru, Hatanaka, Keiko Koizumi and Masaki Sekiguchi, (Eds.,) Vasulka, Steina and Woody: Video Works, Tokyo: ICC, 1998.
  • Mitchell, W. J. T., Landscape and Power, Chicago: University of Chicago Press, 1994.
  • Montana, Anna Rev., Rev. Randy Peters, Rev. Norm, Rev. Joalien, The Dead Beat Scrolls: The Incomprehensible Teachings of Harvey Christ Redeemer, Montreal: Cumulus Press, 2005.
  • Moser, Mary Anne, Immersed in Technology: Art and Virtual Environments, Cambridge; The MIT Press, 1996.
  • National Alliance for Media Arts and Culture, A Closer Look/Hidden Histories, Michiel, Helen De (Ed.), California: National Alliance for Media Arts and Culture, 2005.
  • National Alliance for Media Arts and Culture, Deep Focus: A Report on the Future of Independent Media, By Andrew Blau, Helen De Michiel (ed.) California: National Alliance for Media Arts and Culture, 2004.
  • National Alliance for Media Arts and Culture, Taking Liberties: Freedon, Creativity and Risk in the Media Arts, Conference, Philadelphia: 2005.
  • National Alliance for Media Arts and Culture, What Price Media Consolidation?, Symposium, Drexel University, Sep. 28th, 2005.
  • Observatori 2006: 7 Festival International de Investigacion Artistica de Valencia, curator- Javier Duero, Valencia, Spain, May 5th-7th, 2006.
  • Observatori, Museo de las Ciencias Principe Felipe Cuidad de las Artes y las Ciencias de Valencia, 2006.
  • Orr, William I., Simple, Low-Cost Wire Antennas for Radio Amateurs, Wilton: Radio Publications Inc, 1972.
  • Packer, Randall and Ken Jordan, Multimedia: from Wagner to Virtual Reality, New York: Norton, 2001.
  • Paik, Nam June and John G. Hanhardt, The Worlds of Nam June Paik. New York: Guggenheim Museum; 2000.
  • Paik, Nam June, Beuys Vox (1961-1986), Seoul, Korea: Won Gallery/Hyundai Gallery, 1986.
  • Paik, Nam June, Eine Data Base, Germany: Edition Cantz, 1993.
  • Paik, Nam June, Electronic Superhighway: Travels with Nam June Paik, Ohio: Carl Solway Gallery, 1995.
  • Paik, Nam June, How to Keep Experimental Video on PBS National Programming, June 6, 1979.
  • Paik, Nam June, Nam June Paik: Video ‘n’ videology 1959-1973 Tova Press, 1997.
  • Paik, Nam June, Video Time-Video Space, New York: Harry N. Abrams, 1993.
  • Penny, Simon (Ed.,) Critical Issues in Electronic Media, New York: State University of New York Press, 1995.
  • Perloff, Marjorie, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, Chicago: The University of Chicago Press, 1986.
  • Popper, Frank, ://art.of.the.electronic.age, London: Thames & Hudson Ltd, 1993.
  • Popper, Frank, Origins and Development of Kinetic Art, Greenwich: New York Graphic Society Ltd., 1968.
  • Preemptive Media, How to Become a Zapped! RFID Scout: Stop the Creep!, Zapped! RFID Workbook, Third Edition, Preemptive Media, 2005.
  • Radio CORAX, Radio Revolten: Restival Zur Zukunft Des Radios, Halle, 2006.
  • Radio Shack, D.C. Circuits: Basic Electricity and Circuit Concepts, Texas: Texas Instruments Learning Center, 1979.
  • Reck, David, Music of the Whole Earth, New York: Da Capo Press, 1997.
  • Rockwell, John, All American Music: Composition in the Late Twentieth Century, New York: Da Capo Press, 1997.
  • Ruggiero, Greg, Microradio & Democracy: (Low) Power to the People, New York: Seven Stories Press, 1999.
  • Rush, Michael, New Media in Art, New York: Thames & Hudson, 2005.
  • Rush, Michael, New Media in Late 20th-Century Art, New York: Thames & Hudson, 1999.
  • San Francisco Museum of Modern Art, Public Information: Desire, Disaster, Document, San Francisco: SF MoMA, 1994.
  • Sayre, Henry M., The Object of Performance: the American Avant-Garde since 1970, Chicago: University of Chicago Press, 1989.
  • Scholder, Amy and Jordan Crandall, Interaction: Artistic Practice in the Network, New York: Distributed Art Publishers Inc., 2001.
  • Schrader, Barry, Introduction to Electro-Acoustic Music, New Jersey: Prentice-Hall Inc., 1982.
  • Schultz, Bernd, Resonances: Aspects of Sound Art, Heidelberg: Kehrer Verlag, 2002.
  • Schultz, John J., TV, Radio & Hi-Fi Hints & Kinks, Blue Ridge Summit: TAB Books, 1971.
  • Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television, Durham & London: Duke University Press, 2000.
  • Scope: New York, March 10-13, 2006, New York: Enterprise Press, 2006.
  • Shapiro, Peter, Modulations: a History of Electronic Music Throbbing Words on Sound, New York: Caipirinha Productions Inc., 2000.
  • Slate, Sam J. and Joe Cook, It Sounds Impossible: The hilarious story of radio broadcasting from the beginning to the future, New York: The Macmillan Company, 1963.
  • Somol, Robert E. (Ed.) Autonomy and Ideology: Positioning an Avant-Garde in America, New York: Monacelli, 1997.
  • Sound revisited : an anthology concerning sound in art. Amsterdam : VOID, 1987.
  • Stadtische Kunsthalle Dusseldorf, A Different Climate: Women Artists Use New Media, Dusseldorf,1986.
  • Sterne, Jonathan, The Audible Past, North Carolina: Duke University Press, 2003.
  • Strauss, Neil, (Ed.,) Dave Mandl (Assoc. Ed.,) Radiotext(e). New York: Semiotext(e), 1993.
  • Teasdale, Parry D., VideoFreex: America’s First Pirate TV Station and the Catskills Collective That Turned It On, Hensonville, New York: Black Dome Press, 1999.
  • Tesla, Nikola, David Hatcher Childress (Ed.,) The Tesla Papers: Nicola Tesla on Free Energy & Wireless Transmission of Power, Illinois: Adventures Unlimited Press, 2000.
  • Tetlon, Zeke, The Complete Manual of Pirate Radio, Tuscon: See Sharp Press, 1993.
  • The Museum of Modern Art, The Machine: as Seen at the End of the Mechanical Age, New York: The Museum of Modern Art, 1968.
  • The Western Front, Reverie: Noise City 2004-2005, Vancouver: Western Front, 2004.
  • The Western Front, Scrambled Bites, Art’s Birthday 2003-2004: Artist Residency and Telematic Experiments, Vancouver: Western Front, 2004.
  • Thompson, Nato and Gregory Sholette (Ed.) The Interventionists: User’s Manual for the Creative Disruption of Everyday Life, North Adams, Mass.: Mass MoCA Publications, 2004.
  • Time Life Books, Fix it Yourself: Home Electronics, Alexandri, VA: Time Life Books, 1988.
  • Tomkins, Calvin. Duchamp: a Biography, New York: Henry Holt & Co., 1996.
  • Toop, David, Exotica: Fabricated Soundscapes in a Real World, London: Serpent’s Tail, 1999.
  • Upton, Monroe, Electronics for Everyone: The Story of Electricity in Action, New York: Signet Key Books, 1957.
  • Vale, V., Search and Destroy #1-6: The Complete Reprint, San Francisco: V/Search Publications, 1996.
  • Walker, Jesse, Rebels on the Air: An Alternative History of Radio in America, New York: New York University Press, 2001.
  • Weibel, Peter and Timothy Druckrey, Net_condition Art and Global Media, Electronic Culture: History, Theory, and Practice), Cambridge: The MIT press, 1999.
  • Weiss, Allen S. (Ed.,) Experimental Sound & Radio, Cambridge, The MIT Press, 2001.
  • Weiss, Allen S. Phantasmic Radio, North Carolina: Duke University Press, 1995.
  • Weizenbaum, Joseph, Computer Power and Human Reason: From Judgment to Calculation, New York: W.H. Freeman, 1976.
  • Williams, Emmett and Ann Noel, Mr. Fluxus: a Collective Portrait of George Maciunas, 1931-1978, London: Thames and Hudson Ltd, 1997.
  • Williams, Raymond, Television: Technology and Cultural Form, Hannover, University Press of New England, 1974.
  • Wilson, Peter Lamborn, Pirate Utopias: Moorish Corsairs & European Renegadoes, Brooklyn: Autonomedia, 1995.
  • Wilson, Richard Guy, Dianne H. Pilgrim, and Dickran Tashjian, The Machine Age in America: 1918-19, New York: Harry N. Abrams, 1986.
  • Wilson, Stephen, Information Arts: Intersectoins of Art, Science, and Technology, Cambridge: MIT Press, 2002.
  • Wirth, Karen and Robert Lawrence, How to Make an Antique, Minnesota: Minnesota Center for Book Arts, 1989.
  • Yoder, Andrew and Earl T. Gray, Pirate Radio Operations, Port Townsend: Loompanics Unlimited, 1997.
  • Yoder, Andrew, Pirate Radio: The Incredible Saga of America's Underground, Illegal Broadcasters, Solana Beach: HighText, 1996.
  • Young, Rob (Ed.,) Under-Currents: The Hidden Wiring of Modern Music, London: Continuum, 2002.
  • Youngblood, Gene, Expanded Cinema, New York: E.P. Dutton & Co., 1970.
  • Zani, Carlo Vitalogy: A Study of a Contemporary Presence, Vol. VIII.G.,Texts by Carlo Giordano, London: Institute of Contemporary Arts, 2005.
  • Zippay, Lori (Ed.), Electronic Arts Intermix: Video, New York: Abbeville Press, 1991.

SELECTED JOURNAL, PERIODICALS AND ZINES

  • 50 Miles of Elbow Room, No. 1, Adam Lore (Ed.) Brooklyn, 2000.
  • Afterimage: the Journal of Media Arts and Cultural Criticism, Vol. 33, No.1, New York: Visual Studies Workshop, July/Aug. 2005.
  • BANANAFISH No. 16, M. Monroe (Ed.) San Francisco: I. Vern Beezer, 2002.
  • Chew No. 8, Tom Roe, Cindy Wheeler and Dan Matz (Eds.) Tampa: TKO studio, 1994.
  • Chew, No. 9, Tom Roe (Ed.) Florida: Rob Rice, 1995.
  • CHUNK 666: Preparing for the Carmageddon, Megulon Five, 1997.
  • Felix: Post Literate, A Journal of Media Arts and Communications, Vol. 1, No. 3, New York: Kathy High/The Standby Program Inc., 1993.
  • First Steps in Radio: The goal is as Real as we make it, Justin Hirsch, Minneapolis.
  • Halana, No. 1 Chris Rice (Ed.) Ardmore, PA, Winter 1996.
  • Halana, No .3 Chris Rice (Ed.) Philadelphia: Park Printing, Winter 1997.
  • Leonardo Music Journal, Connectivity: Art and Interactive Telecommunications, Vol. 24, No. 2, Pages 113-258, Oxford: Pergamon Press, 1991.
  • Leonardo Music Journal, Groove, Pit and Wave: Recording, Transmission and Music, Vol. 13, Pages 1-94, Cambridge: MIT Press, 2003.
  • Leonardo Music Journal, The Word: Voice, Language and Technology, Vol. 15, Pages 1-95, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 38, No. 1, Pages 1-84, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 38, No. 2, Pages 85-176, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 38, No.3, Pages 177-270, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 38, No.4, Pages 271-368, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 38, No.5, Pages 369-447, Cambridge: MIT Press, 2005.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 39, No. 1, Pages 1-93, Cambridge: MIT Press, 2006.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 39, No. 2, Pages 95-177, Cambridge: MIT Press, 2006.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 39, No. 3, Pages 180-278, Cambridge: MIT Press, 2006.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 39, No. 4, Pages 281-387, Cambridge: MIT Press, 2006.
  • Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 39, No. 5, Pages 389-505, Cambridge: MIT Press, 2006.
  • Performance Research, Vol. 4, No. 3, On Silence, Devon, UK. Dartington College of Arts Totnes, Winter 1999
  • Punk Planet: Notes from Underground, Issue #69, September and October 2005, Chicago: Independents’ Day Media, 2005.
  • Site 5, Feb. 2001, Petra Rink, Ralf Brog and Sven Lutgen (Ed.) Dusseldorf, 2001.
  • Tactical Sound: #1 Loudspeakers, OED, 2001.
  • The NEW YORKERS' Guide to Military RECRUITMENT in the 5 boroughs, Copyleft Friends of William Blake, www.counterrecruitmentguide.org, 2006.
  • The Sound Projector: 12th Issue, 2004, Ed Pinsent (Ed.) Essex: The Book Factory, 2004.
  • Thrift Score: Happy Trails, No. 14, Al Hoff (Ed.) 1999.
  • Tuba Frenzy, No. 3, Tim Ross (Ed.) North Carolina: Friction Media, 1996.
  • Welch, Fritz, Coffin For Head of State Now Human Sacrifice, Distributed as part of the PEEESSSEYE tour, 2007.
  • WHUMP, No.1, Todd Ledford (Ed.) Austin, Winter 1995.